Based on this excerpt from "the gift of the magi" by o. henry, what can you infer about the characters jim and della?

in the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. also appertaining thereunto was a card bearing the name "mr. james dillingham young."

the "dillingham" had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming d. but whenever mr. james dillingham young came home and reached his flat above he was called "jim" and greatly hugged by mrs. james dillingham young, already introduced to you as della. which is all very good.

a della and jim lived in a poor neighborhood but aspired to move to a nicer one.
b della and jim were deeply conscious of what other people thought of them.
c della and jim believed that jim’s salary would soon increase again.
d della and jim loved each other despite their financial difficulties.

In one sentence of approximately 15 to 25 words, write the main idea that thomas paine wants to convert to all the readers of the declaration of independence

Bescribe a food from your country that many people enjoy

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.