(1) What two changs
al How long do Tembu and his family mourn for his father?
b) How long after that does Tembu go back to work?
c) in your community and culture, how long does a family mourn when
someone dies? What do they do as part of their mourning?
d) In what way is your answer similar to c) above or different to the way
Tembu's family mourn in the story?
12)
Explore language and literary devices
1. From whose point of view do you see the story at the beginning? Quote a
sentence to support your answer
2. "Baldeo wondered whether the lamp on the signal post was still alight
Gathering his shawl closer about him, he stumbled on, sometimes along
the rails, sometimes along the ballast. He longed to get back to his warm
corner in the hut
a) Whose point of view does this passage show?
b) Quote a word that shows Baldeo's thinking.
c) Quote a word that shows Baldeo's feelings.
d) Identify two of Baldeo's actions from the passage.
(1)
(2)
43
The tiger in the tunnel

Which lines in this excerpt from act ii of william shakespeare’s romeo and juliet reveal that mercutio thinks romeo would be better off if he stopped thinking about love? mercutio: i will bite thee by the ear for that jest. romeo: nay, good goose, bite not. mercutio: thy wit is a very bitter sweeting it is a most sharp sauce. romeo: and is it not well served in to a sweet goose? mercutio: o here's a wit of cheveril, that stretches from an inch narrow to an ell broad! romeo: i stretch it out for that word 'broad; ' which added to the goose, proves thee far and wide a broad goose. mercutio: why, is not this better now than groaning for love? now art thou sociable, now art thou romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. benvolio: stop there, stop there. mercutio: thou desirest me to stop in my tale against the hair. benvolio: thou wouldst else have made thy tale large. mercutio: o, thou art deceived; i would have made it short: for i was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer.