Of all that breathes and crawls across the earth,
our mother earth breeds nothing feebler than a man,
so long as the gods grant him power spring in his knees,
he thinks he will never suffer affliction down the years.
but then, when the happy gods bring on the long hard
times
bear them he must, against his will, and steel his heart,
what does the underlined line in this passage tell the reader about the
cultural context of this passage?

1. read the following excerpt from franklin d. roosevelt's "fireside chat 19":

on the other side of the picture, we must learn also to know that guerilla warfare against the germans in, let us say serbia or norway, us; that a successful russian offensive against the germans us; and that british successes on land or sea in any part of the world strengthen our hands.

remember always that germany and italy, regardless of any formal declaration of war, consider themselves at war with the united states at this moment just as much as they consider themselves at war with britain or russia. and germany puts all the other republics of the americas into the same category of enemies. the people of our sister republics of this hemisphere can be honored by that fact.  

the true goal we seek is far above and beyond the ugly field of battle. when we resort to force, as now we must, we are determined that this force shall be directed toward ultimate good as well as against immediate evil. we americans are not destroyers — we are builders.

analyze the effectiveness of this excerpt. how does it function within the speech as a whole? how does the structure of the excerpt to convey the speech's purpose and key points? support your argument with evidence from the speech. (10 points)

the correct answer should be choice c. live coverage.

print journalists gain credibility from neutrality, while tv news reports gain it from live on the spot reporting.

i hope this you and have a great day! : )

answer:

a. "there, said he, there is something for you."

explanation:

"said he" should not have been part of what is in the dialogue.