I am a little bit of loneliness, a little bit of disregard Handful of complaints but I can't help the fact
That everyone can see these scars
I am what I want you to want, what I want you to feel
But it's like no matter what I do, I can't convince you
To just believe this is real
So I, let go watching you turn your back like you always do
Face away and pretend that I'm not
But I'll be here 'cause you're all that I got
I can't feel the way I did before
Don't turn your back on me
I won't be ignored
Time won't heal this damage anymore
Don't turn your back on me
I won't be ignored...

​

37. pan shot – across the street down the row of houses 37. each is the same in general style, the front porch, the gliders, the rest of it. then suddenly the camera stops on the last house in the line. there's a spot light set up on the porch and even in the daylight we can see it shining. which element of drama is highlighted in this stage direction?

Transcendentalist walt whitman captured the spirit of young america by creating

The following legal claims exist for m. finger co. identify the accounting treatment for each claim as either (a) a liability that is recorded or (b) an item described in notes to its financial statements. 1. m. finger (defendant) estimates that a pending lawsuit could result in damages of $1,250,000; it is reasonably possible that the plaintiff will win the case. an item described in notes to its financial statements. a liability that is recorded. 2. m. finger faces a probable loss on a pending lawsuit; the amount is not reasonably estimable. a liability that is recorded. an item described in notes to its financial statements. 3. m. finger estimates damages in a case at $3,500,000 with a high probability of losing the case. an item described in notes to its financial statements. a liability that is recorded. the amount that m. finger co. should record in its accounting records related to these suits is: