As explained in the chapter's "continuity and change" section, why was marie-louise-elisabeth vigée-lebrun's marie-antionette en chemise rejected by the salon of 1783?

Marie-Louise-Elisabeth Vigée-Lebrun’s Marie-Antionette en chemise painting was rejected by the Salon of 1783 because the Salon visitors thought that the queen of France, Marie-Antionette, was painted wearing underpants which made her look immodest, and unlike other respected queens of her time; the nature of the painting stirred up dissent, and people requested that it be taken away from public view.

are there actual statements because if not my answer would be: that using the five senses the author can create a sense of worth in an object to appeal to the reader and create meaning.

im sorry i wish i can but try google