20. Track shot with steve20. As he walks over to the car, gets in it, turns the key. 21. Different angle – looking21. Through the open door beyond it we see the crowd watching him from the other side. Steve starts the engine. It turns over sluggishly and then just stops dead. He tries it again and this time he can't get it to turn over. Then very slowly and reflectively he turns the key back to "off" and then slowly gets out of the car. 22. Group shot22. As they stare at steve. He stands for a moment by the car then walks toward the group. Steve i don't understand it. It was working fine before – don out of gas? steve (shakes his head) i just had it filled up. Woman one what’s it mean? —the monsters are due on maple street, rod serling write two to three sentences explaining what readers should visualize as they read this part of the scene.

.how are johansson’s photographs different than most others?

because his photographs are based on photo realism. photos where you will need a brief moment to think to figure it out the trick of it.

2.what makes his photographs seem real?

sometimes the perspective is the illusion. different pieces of reality and put them all together. and things that we don’t even think about.

3.what rules does johansson follow in his photography?

photos combined should have the same perspective. photos combined should have the same type of light.making it impossible to distinguish where the different images begin and end by making it seamless.

4.which of johansson’s creations did you like the best? why?

the big fish under the water with the house on top of the rock. because it's really hard to create pictures like that one, it requires a very precise moment to snap the picture

this is under sat questions? my answer is by walking

answer:

is this serious

explanation:

answer:

quizziz, quizlet

Explanation: