How does Eisenhower use specific word choice to characterize the Allies and their enemies in this call to arms?

He referred to the Allies as brothers-in-arm and the enemy as German war machine

Explanation: Dwight Eisenhower was the supreme commander of Allied forces in Western Europe during World War II. He led the massive invasion of Nazi-occupied Europe that began on D-Day (June 6, 1944). Just before the invasion, he wrote a call-to-arms note to rally the troops to victory.

He started by referring to the Allied forces as "Soldiers, Sailors and Airmen of the Allied Expeditionary Force", then "brave Allies and brothers-in-arms on other Fronts" as well as "free men of the world marching together in victory". On the other hand, he referred to the enemy as "German war machine" as well as "Nazi tyrants oppressing the people of Europe"

overtime, the civil rights movement changed in a way that not only it benefited african-americans, but benefited other ethnicity's such as latinos, asians, or women too! that's why the results of the movement be called mixed.

the civil rights movement brought about tremendous changes. no longer were blacks denied the right to vote, to eat, shop, and swim where they , and more importantly, to attend integrated schools. despite its many accomplishments, however, the civil rights movement had its shortcomings. for example, many people, both young and old, lost their lives, homes, jobs, and families. still other individuals were so damaged by psychological trauma that they ceased being productive members of the community. the movement left intact the economic inequities that had contributed to the maintenance of segregation. and finally, racism remained alive and well long after the movement's end. like most movements of its kind, the civil rights movement left behind a mixed legacy of triumph and tragedy.

the hollywood film industry of 1950 was threatened on several different fronts. television broadcasting was rapidly becoming the dominant entertainment medium in the united states. the paramount anti-trust consent decree requiring separate ownership for production companies and theater chains had gone into effect on 1 january 1950. large numbers of young men and women were marrying, having children, and moving to the suburbs, which affected the viability of downtown first-run movie theaters. foreign revenues were endangered by protectionist tactics including quota systems, high taxes, and blocked funds. finally, the morality and patriotism of hollywood films and filmmakers were under attack from government, religious, and citizens' groups.

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