Paul Spangler was a doctor treating the wounded at Pearl Harbor. In his letter he writes that he gave the helpless cases a drug to kill the pain until they died. What was the name of that pain killer?

The name of the pain killer that was given to the wounded and helpless cases by Paul E. Spangler is morphine.

Paul E. Spangler was born on the 18th of March, 1899 in the United States of America and he died on the 29th of March, 1994 in California, United States of America.

Dr. Spangler was a retired U.S. Navy surgeon and was responsible for treating the wounded at Pearl Harbor when the naval base in Honolulu was surprisingly attacked by the Imperial Japanese Navy Air Service.

In his letter, Dr. Spangler stated that, he rushed to the surgery room where many helpless (hopeless) casualties were pouring in, whom he gave plenty of morphine to kill their pains until they died in the wards.

In conclusion, morphine is the name of the pain killer that was given to the wounded and helpless cases by Paul E. Spangler

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Morphine

Explanation:

Dr. Paul Splanger was a United States surgeon and he was very active in sport activities. The Japanese attacked the US warships at Pearl Harbor and a fight ensued between both nations.

He treated the wounded at Pearl Harbor and in his letter he wrote and admitted that he gave the helpless cases a drug to kill the pain until they died.

the hollywood film industry of 1950 was threatened on several different fronts. television broadcasting was rapidly becoming the dominant entertainment medium in the united states. the paramount anti-trust consent decree requiring separate ownership for production companies and theater chains had gone into effect on 1 january 1950. large numbers of young men and women were marrying, having children, and moving to the suburbs, which affected the viability of downtown first-run movie theaters. foreign revenues were endangered by protectionist tactics including quota systems, high taxes, and blocked funds. finally, the morality and patriotism of hollywood films and filmmakers were under attack from government, religious, and citizens' groups.

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