Which statement accurately describes the harlem renaissance of the 1920

The Harlem Renaissance (also called the New Negro Movement) was a social, cultural, and artistic movement of African-American writers and painters between about 1920 and 1930.

The Harlem Renaissance was the first flowering of African-American art that went beyond individual works. Similar to the jazz era, the movement was triggered by the mass exodus of African-Americans from the southern states to the north (Great Migration). In New York's Harlem district, the African-American Philip Payton had taken over the real estate market from 1904 to a large extent. Since that time - and especially in the 1920s - Harlem had become synonymous with African American culture as the black middle class lived there.

The anthology The New Negro (1925), edited by Alain LeRoy Locke, had a major impact on the movement, in which the philosopher and critic collected prose, poetry, plays, and essays from a new generation of African-American authors. In his preface, Locke described the migration from the southern states to the north as "a kind of spiritual liberation" through which Afro-American art was able to develop its own identity for the first time - beyond the white role models. In the art of the Harlem renaissance also African traditions, African-American traditions as well as gospel and jazz play a big role. White writers, especially the journalist and photographer Carl van Vechten, also supported the movement - and were influenced by it. The patron Charlotte Mason employed and promoted a number of artists, but also had her own understanding of Native American and African American culture.

this is not a question its simply asking you to read and write a few sentences and   the question on the bottom its fairly easy, you can do this!

the hollywood film industry of 1950 was threatened on several different fronts. television broadcasting was rapidly becoming the dominant entertainment medium in the united states. the paramount anti-trust consent decree requiring separate ownership for production companies and theater chains had gone into effect on 1 january 1950. large numbers of young men and women were marrying, having children, and moving to the suburbs, which affected the viability of downtown first-run movie theaters. foreign revenues were endangered by protectionist tactics including quota systems, high taxes, and blocked funds. finally, the morality and patriotism of hollywood films and filmmakers were under attack from government, religious, and citizens' groups.

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