In george orwell’s “shooting an elephant,” how does the narrator’s cultural background affect how he feels about the elephant. a. he wants to kill the elephant because he wants its tusks. b. he hopes to kill the elephant and butcher it for its meat. c. he thinks the elephant ought to be killed to avenge the man who was killed. d. he believes the elephant is valuable, not unlike a costly piece of machinery.

Which excerpt from the awakening best highlights the elation edna feels when she thinks of robert? the morning was full of sunlight and hope. edna could see before her no denial—only the promise of excessive joy. she lay in bed awake, with bright eyes full of speculation. “he loves you, poor fool.” he would come to her in the afternoon or evening, sit and roll his cigarette, talk a little, and go away as he had done the night before. but how delicious it would be to have him there with her! robert did not come that day. she was keenly disappointed. he did not come the following day, nor the next. each morning she awoke with hope, and each night she was a prey to despondency. his horses were full of mettle, and even a little unmanageable. she liked the rapid gait at which they spun along, and the quick, sharp sound of the horses' hoofs on the hard road.

What character asks for god's mercy on the lady at the end of the poem? arthur lancelot the poem's speaker the reaper

What language uses emotionally words