Iwent inside then and in a moment he was gone. i watched him from my window as he went down the street. he was whistling softly and i waited until the sound faded away so i couldn't tell if it was he or my heart whistling out there in the night. and then he was gone, completely gone. i shivered. somehow the darkness seemed changed. the stars were little hard chips of light far up in the sky and the moon stared down with a sullen yellow glare. the air was tense with sudden cold and a gust of wind swirled his footprints into white oblivion. everything was quiet. but he'd said, "i'll call you." that's what he said—"i'll call you." i couldn't sleep all night. this excerpt from daly's "sixteen" conveys a tone. complacent forlorn gloomy apprehensive

Gloomy

Explanation:

Because from the passage given it basically feels like she's realized that the boy will not call her back.

 Gloomy

your welcome ;)

the answer is not b, and i don't think its a, so i choose either man's identity is found within the traditions of his ancestors   or language is a powerful tool, tell me if i was wrong or right by the way

romeo and juliet, family means a lot more than a husband, wife, and 2.5 kids. "family" means everyone from the head of the household down to the lowly servants—anyone who could possibly owe any the capulets or montagues loyalty. if you're thinking "street gang" or "mafia movie," you're not too far off. that's why romeo and juliet's little love affair isn't just going to get them grounded; it's a betrayal of absolutely everything—like dating someone from a rival school or, yeah, a rival gang. we might think of family as a place of refuse and security, but, in romeo and juliet, kinship is more often a source of danger and battle.

hope that a little