Read the following scene from the inheritors. fred jordan's cell. slowly, at the end left unchalked, as for a door, she goes in. her hand goes up as against a wall; looks at her other hand, sees it is out too far, brings it in, giving herself the width of the cell. walks its length, halts, looks up.) and one window—too high up to see out. (in the moment she stands there, she is in that cell; she is all the people who are in those cells. emil johnson [who works at the courthouse], appears from outside.) madeline: (stepping out of the cell door, and around it) hello, emil. emil: how are you, madeline? how do, mr morton. (ira barely nods and does not turn. . emil turns back to madeline) well, i'm just from the courthouse. looks like you and i might take a ride together, madeline. you come before the commissioner at four. a possible disadvantage to watching this scene, as opposed to reading it silently, is that viewers are unable to infer the characters’ emotions for themselves. unable to interpret the stage directions for themselves . forced to imagine the appearance of the characters. forced to visualize the props used within the scene.

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep