Iwill give read the excerpt from white fang. the four indians laughed more loudly, while even the man who had been bitten began to laugh. they surrounded [white fang] and laughed at him, while he wailed out his terror and his hurt. in the midst of it, he heard something. the indians heard it, too. but the cub knew what it was, and with a last, long wail that had in it more of triumph than grief, he ceased his noise and waited for the coming of his mother, of his ferocious and indomitable mother who fought and killed all things and was never afraid. she was snarling as she ran. she had heard the cry of her cub and was dashing to save him. which best states white fang’s perspective in the excerpt? he is angry at the men and feeling protective of his mother. he is afraid of the men and relieved to hear his mother coming. he is unafraid of the men and amused by his mother’s snarling. he is curious about the men and afraid of disappointing his mother.

Which passage is an example of rising action in edgar allan poe`s "the black cat

Which of these names would be listed first in a telephone directory? a: d’agostino b: dague c: dagy

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.