In american society, romantic love is considered the main reason for people to marry. on the other hand, in some societies, romantic love is considered a form of obsession or madness. in fact, even in many societies where "true love" is not considered a form of insanity, arranged marriages are still the norm. for example, in many cultures it's believed that marriage is basically an economic arrangement. thus, a farmer needs a wife both to bear children and to share the farm work while raising new "hands" as additional farm labor. in other societies, marriage is mainly about cementing connections between families. indeed, most marriages between members of european royal or aristocratic lineages were primarily aimed at creating trust, loyalty, and mutual obligations between privileged and powerful families. which phrase signals a contrast between ideals about marriage? a. on the other hand b. indeed c. in other societies d. for example

Which sentences most likely belong in the resolution paragraph of a narrative? select two options.

Read the claim from an argumentative essay. graffiti art deserves to be treated like "real” art because, like other types of art, it has its own unique style, contains artistic elements like color and composition, and expresses the emotions and viewpoints of the artists. which statement offers the best evidence to support the claim? the use of spray paint to create original lettering has art critics impressed. one art professor said, “actually, graffiti art isn’t on our curriculum this year.” “i prefer classic art, but i’ve seen a lot of graffiti art,” said a gallery owner. last year, our art class took a walking tour of graffiti art in a nearby city.

Drag each label to the correct location. each label can be used more than once. based on this excerpt from f. scott fitzgerald's "bernice bobs her hair," match each character with the type of character element he or she represents. "you may as well stop making a fool of yourself over warren mcintyre. he doesn't care a snap of his fingers about you." for a tense moment they regarded each other—marjorie scornful, aloof; bernice astounded, half-angry, half-afraid. then two cars drove up in front of the house and there was a riotous honking. both of them gasped faintly, turned, and side by side hurried out. all through the bridge party bernice strove in vain to master arising uneasiness. she had offended marjorie, the sphinx of sphinxes. with the most wholesome and innocent intentions in the world she had stolen marjorie's property. she felt suddenly and horribly guilty. after the bridge game, when they sat in an informal circle and the conversation became general, the storm gradually broke. little otis ormonde inadvertently precipitated it. "when you going back to kindergarten, otis? " some one had asked. "me? day bernice gets her hair bobbed." "then your education's over," said marjorie quickly. "that's only a bluff of hers. i should think you'd have realized." "that a fact? " demanded otis, giving bernice a reproachful glance. "there's a lot of bluffs in the world," continued marjorie quite pleasantly. "i should think you'd be young enough to know that, otis." "well," said otis, "maybe so. but gee! with a line like bernice's—" "really? " yawned marjorie. "what's her latest bon mot? " no one seemed to know. in fact, bernice, having trifled with her muse's beau, had said nothing memorable of late. "was that really all a line? " asked roberta curiously. bernice hesitated. she felt that wit in some form was demanded of her, but under her cousin's suddenly frigid eyes she was completely incapacitated.