Which excerpt from o’connor’s “good country people” best reveals the irony of joy’s name?
mrs. hopewell thought of her as a child though she was thirty-two years old and highly educated. joy would get up while her mother was eating, and before long, mrs. freeman would arrive at the back door.
another was: that is life! and still another, the most important, was: well, other people have their opinions too. she would make these statements, usually at the table, in a tone of gentle insistence as if no one held them but her.
[a]nd when joy had to be impressed for these services, her remarks were usually so ugly and her face so glum that mrs. hopewell would say, “if you can’t come pleasantly, i don’t want you at all,” to which the girl, standing square and rigid-shouldered with her neck thrust slightly forward would reply. .
she saw it as the name of her highest creative act. one of her major triumphs was that her mother had not been able to turn her dust into joy, but the greater one was that she had been able to turn it herself into hulga.

How did sundara learn to speak english

12. involves getting to know and recording information about the characters in story such a physical characteristics action and ways in which they relate others characters and to the plot o a. close reading o b. character mapping o c. note-taking p

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification