Let seed be grass, and grass turn into hay: i’m martyr to a motion not my own; what’s freedom for? to know eternity. i swear she cast a shadow white as stone. but who would count eternity in days? these old bones live to learn her wanton ways: (i measure time by how a body sways). source: roethke, theodore. “i knew a woman.” the collected poems of theodore roethke. new york: random house inc., 1961. poetry foundation. web. 9 june 2011. which line is an example of the poetic technique metonymy? “let seed be grass, and grass turn into hay: ” “i’m martyr to a motion not my own; ” “i swear she cast a shadow white as stone.” “these old bones live to learn her wanton ways: ”

Read this sentence. the table was given to lexi by her grandmother. which of the following revises this sentence to include another prepositional phrase? the table in the kitchen was given to lexi by her grandmother. the table was given to lexi by her beloved grandmother. the table was given to lexi by her grandmother ruth. the wooden table was given to lexi by her grandmother. submit skip save and close

Based on the passage witch values seem to be most important to the maori

How are the characters of tablin and keyn revealed in this excerpt from "the guard" by simon dunbar? a. indirectly through dialogue and by thoughts and actions b. directly through a narrative description c. indirectly through dialogue "where's my horse? " keyn asked. tablin looked around the dirt courtyard. he tried to peer through the shadowy arches of the flowing barrel. he even twisted in his saddle to look across the merchant's bazaar, past tents and warehouses filled with goods. "i don't know," he said. "did you leave it in your mouth? it's the only place i can think of that's big enough." keyn laughed; something got stuck in his throat half way, and he coughed for breath. "i can see you're good to go,” tablin observed as keyn struggled to clear his throat. “go get your horse yourself before i take the job and leave you to rot in the flowing barrel."