Read the following scene from the little foxes. ben. (very jovial) i suppose i have been. and why not? horace has done hubbard sons many a good turn. why shouldn’t i be anxious to him now? regina. (laughs) him! him when you need him, that’s what you mean. ben. what a woman you married, horace. (laughs awkwardly when horace does not answer) well, then i’ll make it quick. you know what i’ve been telling you for years. how i’ve always said that every one of us little southern businessmen had great things—(extends his arm)—right beyond our finger tips. it’s been my dream: my dream to make those fingers grow longer: i’m a lucky man, horace, a lucky man. to dream and to live to get what you’ve dreamed of. that’s my idea of a lucky man. (looks at his fingers as his arm drops slowly) for thirty years i’ve cried bring the cotton mills to the cotton. (horace opens medicine bottle). well, finally i got up nerve to go to marshall company in chicago. what would be similar about a stage and a film interpretation of this scene?

Chicago by carl sandburg hog butcher for the world, tool maker, stacker of wheat, player with railroads and the nation's freight handler; stormy, husky, brawling, city of the big shoulders: they tell me you are wicked and i believe them, for i have seen your painted women under the gas lamps luring the farm boys. and they tell me you are crooked and i yes, it is true i have seen the gunman kill and go free to kill again. and they tell me you are brutal and my reply is: on the faces of women and children i have seen the marks of wanton hunger. and having answered so i turn once more to those who sneer at this my city, and i give them back the sneer and say to them: come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, bareheaded, shoveling, wrecking, planning, building, breaking, rebuilding, under the smoke, dust all over his mouth, laughing with white teeth, under the terrible burden of destiny laughing as a young man laughs, laughing even as an ignorant fighter laughs who has never lost a battle, bragging and laughing that under his wrist is the pulse. and under his ribs the heart of the people, laughing! laughing the stormy, husky, brawling laughter of youth, half-naked, sweating, proud to be hog butcher, tool maker, stacker of wheat, player with railroads and freight handler to the nation. which type of figurative language does the poet use most often in "chicago"? a. rhyme b. simile c. metaphor d. personification

Iwill give brainliest1.when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can't go to the public amusement park that has just been advertised on television, and see the tears welling up in her little eyes when she is told that fun town is closed to colored children, and see the depressing clouds of inferiority begin to form in her little mental sky… •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 2.like a boil that can never be cured as long as it is covered up but must be opened with all its pus-flowing ugliness to the natural medicines of air and light, injustice must likewise be exposed, with all of the tension its exposing creates, to the light of human conscience and the air of national opinion before it can be cured. •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 3.over and over again i have found myself asking: "who worships here? who is their god? where were their voices when the lips of governor barnett dripped with words of interposition and nullification? where were their voices of support when tired, bruised, and weary negro men and women decided to rise from the dark dungeons of complacency to the bright hills of creative protest? " •type of figurative language: •meaning of figurative language: •effect on tone and mood:

Which detail from chancer's "the monk's tale" best demonstrates that fortune is a "blind property" that no one should trust? a.julius ceaser rose up because of wisdom, bravery, and intelligence b. king belshazzar became the ruler after his powerful father became king c.samsons enemies blinded him but he was able to destroy them before he died d.queen zenobia enjoyed vast power but her enemies conquered her in the end