"Harrison placed his big hands on the girl's tiny waist, letting her sense the weightlessness that would soon be hers. And then, in an explosion of joy and grace, into the air they sprang! Not only were the laws of the land abandoned, but the law of gravity and the laws of motion as well. They reeled, whirled, swiveled, flounced, capered, gamboled, and spun. They leaped like deer on the moon. The studio ceiling was thirty feet high, but each leap brought the dancers nearer to it. It became their obvious intention to kiss the ceiling. They kissed it. And then, neutralizing gravity with love and pure will, they remained suspended in air inches below the ceiling, and they kissed each other for a long, long time. It was then that Diana Moon Glampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor. How does the tone shift when Diana Moon Glampers shows up?

Question 8 options:

The passage begins with an appreciative and admiring tone, but shifts to one of shock and sadness.

The passage begins with an accusatory tone, but shifts to a celebratory tone.

The passage begins with an apologetic tone, but shifts to a cynical tone.

The passage begins with a disapproving tone, but shifts to an enthusiastic tone.