1. Which claim is King making most clearly in paragraphs 13 and 14? A. In the mind of King's audience, there would never have been a good time for direct action.
B. King knows that he should have waited, but the racism was so painful that he could no longer delay.
C. It was little issues like calling women by their first name that made King and the others protest.
D. King is not fully in control of the protests, and others wanted to protest because of the intense racism.

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.