Read the story description and historical context for the short story "Hamadi" and answer the question. Story Description: Who are the prophets in your life—you know, the people who make you think about the truly important things? Susan, the narrator in "Hamadi," finds her own prophet of sorts, a family friend from her homeland in the Middle East, whose outlook on life and sage advice are gifts he bestows on everyone he meets. Historical Context: The Middle East is a term used to describe the region where three continents meet—Africa, Asia, and Europe. This region includes the nations of Israel, Iraq, Lebanon, and Palestine, which border the Mediterranean Sea. Historically, the Middle East has been involved in many complex conflicts rooted in issues of land, religion, and politics. In fact, deadly conflicts are ongoing now. The Prophet was published in 1928 by Lebanese author Kahlil Gibran. The book contains spiritual and philosophical essays on subjects dealing with love, sorrow, pain, freedom, marriage, death, friendship—the things of life no matter where you live. Where is Susan, the narrator in "Hamadi," from? Africa France Middle East United States

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Which pair of uses of figurative language from "the caged bird" support the extended metaphor of freedom versus oppression? back of the wind; floats downstream his wings are clipped; his feet are tied the caged bird sings; the free bird thinks dawn bright lawn; grave of dreams

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification