Address the following questions based on John Coldtrane's 'My Favorite Things': 1. Provide counter numbers for the beginnings and ends of the solos by McCoy Tyner and John Coltrane. (The order of solos in this piece is: Coltrane (melody), Tyner, Coltrane.)
2. Tyner plays the A section and then "vamps" with the pedal point in the bass before he begins to solo. A vamp is when one or two chords are repeated, usually with a pedal point. Coltrane also states the A section in his solo. Describe their solo styles.

The answer is "Free & Modal Jazz with an Indian twist"

Explanation:

Even if I'm a fan of jazz music, I make it challenging to hear my favorite things interpretation from of the songs. This lovely melody is the fundamental cause of John Coltrane's work, playing himself and employing his famous sound layering. It solo could be best described as the final free jazz solo with Coltrane, wherein he uses an Indian Raga notion and extensively explores the melody. one difference: while Folk music is usually the slow introduction and unrestricted beat of Alap, his solo should be in this case a rapid and skilled exhibition it reminds me of blues nineties.

McCoy Tyner, though, does have another tonne: he produces a modular vamp by repeating the chords of tune with his foot in the bass, again and again, employs this in a far more relaxing way alone.

In brief, despite playing modal jazz, as Jimi Hendrix did on his Sort Blue record, he sticks with a melody more.

I did not specify Steve Davis as the bass player, rather Jimmy Garrison on my 1963 recording. After filming my favorite stuff, she went into the picture well. The classical quartet of James Joyce was named Garrison featuring McCoy Tyner and Ervin Jones.

In this tape, Elvin Jones, an eccentric Jazz musician, plays jazz and at the same time exhibits some pauses and emphases that seem like a Tala player from India. So, it seems like bebop & free jazz when Coltrane performs, too free if you ask me. As played by McCoy Tyner it sounded like modal jazz, that would be to say, the use of non-progressive chord chords allowing greater melody freedom. This is much more my pleasure.

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