Select all of the examples of indirect characterization A. Most of the aunt's remarks seemed to begin with "Don't," and nearly all of the children's remarks began with "Why?"
B. The smaller girl created a diversion by beginning to recite "On the Road to Mandalay."
C. The children were bored, fidgety, and impatient.
D. The frown on the bachelor's face was deepening to a scowl. He was a hard, unsympathetic man, the aunt decided.
E. "You don't seem to be a success as a storyteller," said the bachelor suddenly from his corner.
F. "Don't, Cyril, don't," exclaimed the aunt, as the small boy began smacking the cushions of the seat, producing a cloud of dust at each blow.

mark branliest

explanation:

the film includes a female character. in the short story, you can fantasize over, the appearance of the characters, the place of origin of events described in this book, you can imagine absolutely your reality described in a short story. and in the film for you already invented everything, characters, the place of the event.

in this passage from chapter 6 of "animal farm", by george orwell, what the author is ridiculing in this passage is the frivolity of some rules.

clover, the mare, believes she remembers that the fourth commandment forbade sleeping in beds because it was something that humans did. snowball, napoleon, and the pigs are brain-workers who look after the welfare of the farm. they are the obvious leaders because they are smart, and so they are entitled to eat the best food and sleep in beds. it is squealer, who says these lines making the difference between sleeping with sheets, what humans do, and sleeping in beds, what pigs do. the unwillingness to question authority makes the oppressed to obey without thinking.

that you cannot mess with fate and love cannot be controlled