Refer to your Expeditions in Reading book for a complete version of this text. Part A

Which statement is a main idea of “Dorothy Vaughan Biography”?

She was a high school educator before joining NACA.

Dorothy deserves credit as a pioneer for her accomplishments at NASA.

Dorothy works equally with white and African-American women throughout her career.

She helps write a manual about how machines do math.
Question 2
Part B

Which quotation from the text best supports the answer to Part A?

“…she collaborated with other well-known (white) computers...on projects such as compiling a handbook for algebraic methods for calculating machines.”

“…Vaughan was both a respected mathematician and NASA's first African-American manager.”

“Dorothy Vaughan was assigned to the segregated West Area Computing unit, an all-black group of female mathematicians."

“Vaughan came to the Langley Memorial Aeronautical Laboratory in 1943...leaving her position as the math teacher…”

true. your welcome. mark me brainliest.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran