From the porch, the cabin looked as quaint and rustic as the website had promised. I hoisted my duffel to my hip, unlocked the door with the key I’d been sent, and stepped into the warm air of the mountain home. The floorboards creaked a welcome as I investigated. I admired the piney living room, noting the stone hearth and the dappled afternoon light on the walls. Then I made my way toward the sole bedroom at the end of the hall. I glanced at the eyelet bedcover, the mantle clock, and the antique mirror. Wait. I glanced again at the mirror and impulsively brushed my hair from my eyes, balking at the coloring of the wayward wisps. How could it be? My hand touched my skin—the image I faced was a much older version of myself. I backed away, watching my wrinkled face retreat. I tripped on the doorjamb, stubbed my toe on an errant nail, and nearly toppled over my own luggage as I lunged for the door. What technique does the author use to build suspense in the excerpt?

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects