Instructions: select the correct answer.
which type of conflict is portrayed in this excerpt from “rules of the game” by amy tan?

i walked into my room, closed the door, and lay down on my bed. the room was dark, the ceiling filled with shadows from the dinnertime lights of neighboring flats.

in my head, i saw a chessboard with sixty-four black and white squares. opposite me was my opponent, two angry black slits. she wore a triumphant smile. “strongest wind cannot be seen,” she said.

her black men advanced across the plane, slowly marching to each successive level as a single unit. my white pieces screamed as they scurried and fell off the board one by one. as her men drew closer to my edge, i felt myself growing light. i rose up into the air and flew out the window. higher and higher, above the alley, over the tops of tiled roofs, where i was gathered up by the wind and pushed up toward the night sky until everything below me disappeared and i was alone.

i closed my eyes and pondered my next move.

a. conflict with the self
b. conflict with society
c. conflict with nature
d. conflict with technology
e. conflict with another person

Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.

Fill in the blank: modernism can be seen in movies with (choose the best answer a. a technological and scientific view b. a fantasy type twist c. an anti-consumerism slant d. a realistic and non-imaginative slant

Read the excerpt from ernest hemingway’s “soldier's home.” his father was in the real estate business and always wanted the car to be at his command when he required it to take clients out into the country to show them a piece of farm property. the car always stood outside the first national bank building where his father had an office on the second floor. now, after the war, it was still the same car. nothing was changed in the town except that the young girls had grown up. how does hemingway’s description of the town as unchanged impact the readers’ perception of krebs? it emphasizes that while the town has remained the same, krebs has changed. it illustrates that krebs despises the town he grew up in because it is boring. it demonstrates that krebs views himself as similar to the other soldiers from his town. it reveals that krebs is jealous of those who were able to stay in town and avoid the war.