English, 09.11.2019 06:31 alexar6332

Define the term conflict as it relates to literature and explain its importance in narrative writing. briefly describe the different types of internal and external conflict.

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Conflict in relation to literature is struggle between two or more identities and or characters of a story. You can also think of conflict as a friction that needs resolved. It's an important aspect of nearly all literature. It is your intent in a narrative to explain or express the experiences of yourself or someone else. This is done by first setting up and explaining a situation, then explaining the conflict and finally how it was resolved. Narratives always has conflict and always has conflict resolution. The story would not be complete without some sort of conflict whether it be internal or external. Internal is like your feelings like struggling with ethical or emotional situations. and external is the physical and comes from some other source, ie. another character. Think of internal as not getting along or disagreeing with yourself (the character). The inner battle. External as you (the character) not getting along or disagreeing with someone else, the outward battle.

Answer from: Quest

answer: a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

Answer from: Quest

ok if it wasn't the hans one it was probably c or he thought the mountain was collapsing on them.

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Define the term conflict as it relates to literature and explain its importance in narrative writing...

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