Shaking off what must have been a dream, i scanned more narrowly the real aspect of the building. its principal feature seemed to be that of an excessive antiquity. the discoloration of ages had been great. minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. yet all this was apart from any extraordinary dilapidation. no portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. in this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. beyond this indication of extensive decay, however, the fabric gave little token of instability. perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

which words best characterize the building as described in the fall of the house of usher?

real aspect
excessive decay
specious totality
barely perceptible

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

What does hofmann use of the pronoun it imply about the sister feeling about gregor

Read jonathan swift's essay "a modest proposal." note the six numbered arguments that swift makes midway through the essay. write down your analysis and response to his arguments. as you write your response, keep in mind his central themes and ideas in the essay.