Which sentence from the passage best supports the following inference? amphibians can survive in many different types of habitats.

amphibians amphibians are cold-blooded vertebrates. frogs, toads, and salamanders are the three major kinds of amphibians. the name "amphibian" comes from the greek word "amphibios," which means "double life." the name is fitting because amphibians spend half of their lives in water and half on land. amphibians are born in the water. their eggs need to be in the water to keep from drying out. most amphibians breathe with gills when they are young. then they undergo a metamorphosis and develop lungs. amphibians absorb air and water through their skin. they need moisture in order to survive. in dry weather, amphibians will burrow underground to find moist soil.

In dry weather, amphibians will burrow underground to find moist soil

Explanation:

The passage says that amphibians need water to live. However, the last sentence of the passage states that amphibians burrow into moist soil when the weather is dry. This supports the idea that amphibians can survive in a variety of habitats.

this quote could be referring to the death penalty. it's questioning the morality of sentencing murderers to death as a punishment, because it seems hypocritical. this quote seems to be arguing for non-lethal punishment for killers.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran