75 points for whoever can answer this question!

i will never total it all now. i will never come in to say: she was a child seldom smiled at. herfatherleft me before she was a year old. i worked her first six years when there was work, or i sent her home and to his relatives. there were years she had careshe hated. she was dark and thin and foreign‐looking in a world where the prestige went to blondness and curly hair and dimples, slow where glibness was prized. she was a child of anxious, not proud, love. we were poor and could not afford for her the soil of easy growth. i was a young mother, i was a distracted mother. there were the other children pushing up, demanding. her younger sister was all that she was not. she did not like me to touch her. she kept too much in herself, her life was such she had to keep too much in herself. my wisdom came too late. she has much in her and probably nothing will come of it. she is a child of her age, of depression, of war, of fear.

what theme is being expressed in the description above?

the foolishness of youth.
the reality of motherhood.
the value of education.
the meaning of beauty.

According to coretta scott king, what was one thing that contributed to the success of the montgomery boycott, and why does she believe it was effective?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

Answer 3 and 5 for brainliest. i don’t have a link for #3 sadly.