Read the excerpt from lee child’s "a simple way to create suspense".

like the old cartoon of the big fish eating a smaller fish eating a very small fish, you’ll find out the big answer after a string of smaller drip-drip-drip answers. the big answer is parceled out slowly and parsimoniously.

which statement by karin slaughter shows a similar central idea?

1- i want it to change them, and i want my reader to feel that change through the character, as if it's them.
2- there has to be this peeling away of the onion, where you get to the core of the character as the story unfolds.
3- i mean, you know, crime is such a great tool for talking about the human condition, and that's what i like to do.
4- if you think about "to kill a mockingbird," for instance, some of those courtroom scenes are more tense than any grisham novel, you know.

2- There has to be this peeling away of the onion, where you get to the core of the character as the story unfolds.

This is the sentence that most resembles the main idea of the excerpt. Both passages reflect the view that the big answer has to come slowly, as you get through the story. Moreover, both ideas state that the way to maintain suspense is to give the reader smaller pieces of the puzzle, while saving the main secret for the end.

hello, never fear the humanspider is here!

answer: this is what i could find because i never done this work before.

it's likely the answer would be c.

- a - you could speak slowly, but if you used the same humor and a higher complexity or the same level of complexity, they might understand what to do.

- b - the humor presented might not be understandable to the 1st graders.

- d - explaining where peanut butter comes from is irrelevant to the homeeco class.

**c - by adjusting the level of complexity, you are going to a point of talking where everybody understands you, if you what i'm saying.**

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~

your friendly neighborhood human spider.

noun phrase/ noun phrase/ verb phrase/ noun clause/ awnsers are in order to questions above