4. Which of the following best explains how the poem's form develops its message?
A The poem is written as a lyric poem, echoing its
comparison of language to singing and thus contributing
to its message regarding the beauty of language.
OB The poem is written in free verse, a modern style,
contributing to the poem's message about social progress.
C The poem is written in free verse, echoing the poem's
message about changing language and structure.
D The poem is written in free verse, which flows naturally
like the river or the wind; it therefore contributes to its
message about preserving nature.
Kim

imparadis't in one anothers arms  

the happier eden, shall enjoy their fill  

of bliss on bliss, while i to hell am thrust,  

where neither joy nor love, but fierce desire,  

among our other torments not the least,  

still unfulfill'd with pain of longing pines;  

yet let me not forget what i have gain'd  

from their own mouths; all is not theirs it seems:  

one fatal tree there stands of knowledge call'd,  

forbidden them to taste: knowledge forbidd'n?  

suspicious, reasonless. why should their lord  

envie them that? can it be sin to know,

hi there!

sorry i was debating over answering this question or not, but i do believe it is a sin to be gay. in the beginning, god created man and he created women to be a for man. there are many "political" views on this topic but i believe the bible is right. in the kjv bible, leviticus 18: 22, god talks about how it it is an abomination for women to be with women and man to be with man. god knows that everybody is a sinner, and he gives everyone a chance to repent. i'm not forcing god's word on anybody, but i do believe it is a sin. no matter the sin, as long as you repent, god is willing to forgive, you just have to accept him as your lord and savior.

emerson essentially believes that traveling is overrated. he supports this perspective through an initial focus on "the idea" of places like italy, england, and egypt, and the fascination of "educated americans" with them. he argues that those places only took on the grand, majestic ideas that they represent because "they who made england, italy, or greece venerable in the imagination did so by sticking fast where they were, like an axis of the earth." yes, those places are grand, but only because they so clearly represent the places that they are. the art and culture of italy, england, and egypt is authentic, and therefore significant.

plz mark brainliest