Your love is one in a million It goes on and on and on
You give me a really good feeling, all day long
Your love is one in a million
It goes on and on and on
You give me a really good feeling, all day long
Turn me inside out, you make my heart speak
Need no one else, you're all I need
Personality (ty) everything you do (do)
Makes me love everything about you
Your smile, your style is so fly
I can't deny I got a crush on you
And that is true indeed and I'm diggin' you
You make me believe that
Your love is one in a million
It goes on and on and on (on and on)
You give me a really good feeling (oh yeah) all day long
Your love (your love) is one in a million
It goes on and on and on
You give me a really good feeling (oh yeah) all day long

In what critical way is the protagonist dynamic in "there's a man in the habit of hitting me on the head with an umbrella"?

Myths often function as a connection to the , or the customs and beliefs, of a group of people.

Returning from vietnam, we were indeed given a parade. crowds of screaming people waving signs — not just on one road, one day. no, they were everywhere. every day. on the streets, on the television, on the radio. a hot, angry tangle of shaking fists and ugly words that threatened us like a monster with a hundred heads. our country had chewed us up and spit us out, and now we were being treated as if it were our fault. what is one way the author's use of language contributes to the tone of this passage? a. the use of figurative language creates a feeling of resentment. b. the phrase "hot, angry tangle" is used sarcastically to create irony. c. the word "parade" is used sarcastically to create a lighthearted mood. d. the parallelism draws attention to the confusion of those returning.