Read this excerpt from Through the Looking-Glass by Lewis Carroll. So they walked on together though the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. “I'm a Fawn!” it cried out in a voice of delight, “and, dear me! you're a human child!” A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.

The fawn’s reaction when it realizes that Alice is a human child implies that

Alice has not been very nice to the fawn.
Alice and the fawn do not know who they are.
the fawn is frightened of human beings.
the fawn and Alice are still in the woods. Read this excerpt from Through the Looking-Glass by Lewis Carroll.
So they walked on together though the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. “I'm a Fawn!” it cried out in a voice of delight, “and, dear me! you're a human child!” A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.

The fawn’s reaction when it realizes that Alice is a human child implies that

Alice has not been very nice to the fawn.
Alice and the fawn do not know who they are.
the fawn is frightened of human beings.
the fawn and Alice are still in the woods.

rising action   i think i did this not sure

the correct answer is a. he fairs had detailed, specific rules about what merchants could sell and how they could sell it. despite the fact that all the other answers have relevant details, they make inferences based on the passage that lacks all relevant information to support them. only the answer a makes no inferences, and can be supported by this part of the passage: "the fairs were very well organized. they featured covered galleries so that merchants could buy and sell even if rain came drumming down; cellars were so large, they resembled underground cities. at the fairs, merchants could trust the weights and measures, and a strict order prevailed for how things were to be sold."

biographical remarks present the shifting perception and re-interpretation of figures projected by the authors, or by the society represented by the authors. the portrayals in biographical accounts thus reflect the turning view-of-value in course of history. this paper particularly explores the ways in which “heretical” figures are represented in their biographical accounts, focusing on arabic zindīq poets who flourished in the 2nd century a.h. and are known for their extreme or heretic behavior. it will be discussed that the marks of their heretical deeds are presented in different ways, and the actuality of their activity, such as the association with the early theological thinkers (or mutakallimūn in arabic), is occasionally replaced by more narrativized and unrealistic anecdotes in later sources, the tales being reproduced to underscore the value of poets such as humor or quick-wittedness. the anecdotes also can highlight the qualities of their opponents who appear as their refuters. the chronological tracing of their biographical information from multiple sources reveals the fluctuating value of discourses of “heresy,” mirroring the turning religious reality and the imagined quality of the figures lived in the early period. the paper eventually aims to historically contextualize the functions of “speaking-about-heretics” as a subject of narratives, which works as a tool for writers to express manifold contemporar