Question 4 Read the following line from Paragraph 12 in "The Open Window."
"You may wonder why we keep that window wide open on an October afternoon," said the niece
Which line provides evidence that Vera is testing the believability of her story before proceeding with her
misdirection?
A
"Then you know practically nothing about my aunt?' pursued the self-possessed young lady."
(Paragraph 8)
B
""Her great tragedy happened just three years ago,' said the child; 'that would be since your
sister's time." (Paragraph 10)
с
"I hope you don't mind the open window,' said Mrs. Sappleton briskly: 'my husband and
brothers will be home directly from shooting, and they always come in this way.'" (Paragraph
18)
D
"The child was staring out through the open window with a dazed horror in her eyes."
(Paragraph 23)

C. "I hope you don't mind the open window, 'said Mrs. Sappleton briskly; 'my husband and brothers will be home directly from shooting, and they always come in this way" (Paragraph 18)

Explanation:

In paragraph 14 it starts to talk about the window and the reasoning for it included her brothers and husband.  "Out through that window, three years ago to a day, her husband and her two young brothers went off for their day's shooting. They never came back. " (Paragraph 14). Correct me if I'm wrong though.

answer: gfdhfghfghfghfg

explanation:

hfghfghgfhfg

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: