KELLER: I’ve been waiting to give you this. ANNIE: (after a breath) What? KELLER: Your first month's salary. (He puts it in her hand.) With many more to come, I trust. It doesn't express what we feel, it doesn't pay our debt. For what you've done. ANNIE: What have I done? KELLER: Taken a wild thing, and given us back a child. Both excerpts discuss the impact Anne Sullivan had on the life of Helen Keller. How is the point of view different in the play (page 1) and the memoir (page 2)? The memoir describes Helen’s actions. The play focuses on Helen’s feelings. The memoir shows Helen’s feelings. The play describes Helen’s memories.

Read the corporate document. upon becoming customers of topguide financial group, all clients agree to the following: information provided by employees of topguide financial group is subject to change without notice. any opinions therein are solely those of the author and may not reflect the views of topguide. topguide reserves the right to monitor, retain, and disclose all electronic communications, including email, that pass through its servers and communication systems. which text feature, if added, would best aid the reader’s understanding of this passage? a caption that lists the source of the text a heading that indicates the text’s purpose a graphic that illustrates the information in the text a recipient line that shows the text’s audience

What type of figurative language is used in this sentence from james joyce's "the dead"? his soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling. a. metaphor b. alliteration c. hyperbole d. euphemism

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.