Explain the use of humor in stanza 3.

Julius caesar. [brutus.] with this, she fell distraught, and, her attendants absent, swallowed fire. cassius. and died so? brutus. even so. cassius. o ye immortal gods! [enter lucius, with wine and taper] brutus. speak no more of her. give me a bowl of wine. in this i bury all unkindness, cassius. cassius. my heart is thirsty for that noble pledge. fill, lucius, till the wine o'erswell the cup; i cannot drink too much of brutus' love. [exit lucius. enter titinius, with messala] brutus. come in, titinius; welcome, good messala. now sit we close about this taper here, and call in question our necessities. cassius. portia, art thou gone? brutus. no more, i pray you. what moral dilemma does brutus confront in this excerpt? brutus lets go of his anger toward cassius and forgives him. brutus decides that he will not mourn portia and will stay loyal to cassius. brutus decides that he is too angry at cassius to remain friends with him. brutus questions whether cassius's life should be ended.

Is the underlined word a direct object or an indirect object? bring yourself an apple to eat. a. indirect object b. direct object

Arachne filled her web with subjects designedly chosen to exhibit the failings and errors of the gods. one scene represented leda caressing the swan, under which form jupiter had disguised himself; and another, danae, in the brazen tower in which her father had imprisoned her, but where the god effected his entrance in the form of a shower of gold. still another depicted europa deceived by jupiter under the disguise of a bull. encouraged by the tameness of the animal, europa ventured to mount his back, whereupon jupiter advanced into the sea, and swam with her to crete. based on this passage, what could you argue is arachne's chief complaint with the gods? they change their form too often in order to spy on human beings. they are sneaky and manipulative around human beings. they manipulate human beings into doing their will. they selfishly do whatever them without care of consequences.