Create your own character sketch of about one page in length. You are building a character, perhaps inspired by a real person, who could fit into The Iliad. You may create a god, goddess, ruler, or whoever you can imagine who would fit seamlessly into the epic poem. Include at least two epithets to describe your character. Key Point! The text does not have to be in a rhyme scheme, unless you want another challenge.

Describe the following:

Your character’s appearance
Your character’s actions
Says
Does
Interacts with others
Your character’s feelings
Reveal these details through:

BESIDES THE GOD HARTHOS PROTECTOR OF TROY, ILL GIVE BRAINLIEST
reflection, as if you personally know the character using the first person “I”
reveal information through conversation
reveal character through observation (voice of observer)
After your sketch is complete, read it to someone else. Then, have your listener describe the qualities of this character. If all went well, you will hear the key characteristics you had in mind. If not, you may need to make some revisions

it is b

explanation:

you need infomation to write a essay

i think that it is (line 11)

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran