Read the passage from "The Book of Martha.” "Maybe. But I really mean that somehow people should spend a lot of their energy in their dreams. They would have their own personal best of all possible worlds during their dreams. The dreams should be much more realistic and intense than most dreams are now. Whatever people love to do most, they should dream about doing it, and the dreams should change to keep up with their individual interests. Whatever grabs their attention, whatever they desire, they can have it in their sleep. In fact, they can't avoid having it. Nothing should be able to keep the dreams away—not drugs, not surgery, not anything. And the dreams should satisfy much more deeply, more thoroughly, than reality can. I mean, the satisfaction should be in the dreaming, not in trying to make the dream real."

God smiled. "Why?"

"I want them to have the only possible utopia." Martha thought for a moment. "Each person will have a private, perfect utopia every night—or an imperfect one. If they crave conflict and struggle, they get that. If they want peace and love, they get that. Whatever they want or need comes to them. I think if people go to a . . . well, a private heaven every night, it might take the edge off their willingness to spend their waking hours trying to dominate or destroy one another." She hesitated. "Won't it?"

Which theme is best supported by this passage?

a. Imagination can impact reality.
b. People spend time destroying others.
c. Humanity is almost impossible to change.
d. Trusting in oneself accomplishes great things.

Read the excerpt from the war of the worlds, which includes a description of setting shortly after the martians' first deadly attack.the undulating common seemed now dark almost to blackness, except where its roadways lay grey and pale under the deep blue sky of the early night. it was dark, and suddenly void of men. overhead the stars were mustering, and in the west the sky was still a pale, bright, almost greenish blue. the tops of the pine trees and the roofs of horsell came out sharp and black against the western afterglow. the martians and their appliances were altogether invisible, save for that thin mast upon which their restless mirror wobbled. patches of bush and isolated trees here and there smoked and glowed still, and the houses towards woking station were sending up spires of flame into the stillness of the evening air.what options accurately explain how the narrator's feelings are reflected in the setting? (select all that apply.)the war of the worldsthe narrator is comforted by the oncoming evening, as reflected in the setting details. for example, he says the martians are invisible.the narrator is distressed by the deceptive quiet of the evening, as reflected in the setting details. for example, he still sees smoke from the widespread destruction.the setting details to reveal the narrator's feelings of both relief and apprehension. for example, although the martians are not seen any longer, the remnants of the attack are still quite visible, and it's not clear whether the danger is over.the setting details reflect the narrator's feelings of both fascination and relief. for example, although one of the martians' odd tools is still visible, the creatures themselves no longer pose a threat.