How does Pygmalion's vanity as the creator drive the events of the plot?

Pygmalion's vanity as the creator drive the events of the plot is discussed below in detail.

Explanation:

Shaw's performance "Pygmalion" was motivated straight by Ovid's fable of Pygmalion. Ovid's variant involves a modeler titled Pygmalion who is determined to sculpt a woman out of whalebone. This figure of his own production was so wonderful and so alluring that it motivated Pygmalion to fall genuinely in love.

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

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next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

if you have to come up with one i would do

love: happiness