Which in-text citation is formatted correctly in MLA style? A Odysseus’s men “bent steady to the oars,” Homer (79)
B Odysseus’s men “bent steady to the oars” (Homer 79).
C Odysseus’s men “bent steady to the oars.” (Homer 79).
D Odysseus’s men “bent steady to the oars” (Homer) 79

"the tune the he might never know again." this part build anticipation. dexter got extremely happy by the piano tune. he could see what he was living at that moment in his life throught this feeling. the reader might want to learn more about his happy life. in fact, he called it a state of   'ecstasy'. the fact that he had got in a mood of intense appreciation and that everything about him was extremely bright and glamorous might lead the reader to feel that this state of happiness may not last long. the two parts from the excerpt that exemplify the anticipation are: " the sound of the "; " it was a know again."

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

i don know bu ask again

a foil character shows contrast with the qualities of another character. to emphasize the traits of the other character is the main objective. cassius is a foil to brutus, and brutus is a foil to antony. both cassius and antony conspire to kill caesar, but cassius is more prone to treachery than brutus is. thus, easily gives in to his evil ambition. brutus is a foil to antony because brutus’s honesty and simplicity are in clear contrast to antony’s qualities of deception and over-ambition.