This is from lin Manuel Miranda assessment plz help A The compare and contrast structure helps the author explain how much more successful Miranda is than other artists.

B The problem and solution structure allows the author to detail the challenges Miranda has faced in his life.

C The cause and effect structure helps the author consider how education impacted Miranda's life.

D The chronological structure allows the author to describe how Miranda's skills and talents developed over time.
story : 1 Perhaps the only list longer than Lin-Manuel Miranda's awards is his list of talents: composer, playwright, singer, actor. Miranda does it all and all with enormous success!
2 Born in New York City in 1980, Miranda was immersed in music and dance from an early age. His parents, immigrants from Puerto Rico, settled in the predominately Latino area of Manhattan known as Inwood. There, the Miranda family's musical interests were shaped by a variety of cultural and artistic influences, including hip-hop, rhythm and blues, and Latin music.

"My favorite book growing up was Chuck Amuck by Chuck Jones. I think I bought it as a kid because of the included flip-book: flip the pages, and Wile E. Coyote chases the Road Runner down the margins of the page. But it's also one of the most beautiful books about the creative process I've ever read."
—Lin-Manuel Miranda
Chuck Amuck: The Life and Times of an Animated Cartoonist is the autobiographical account of Chuck Jones, the creator of Warner Bros.' Road Runner, Wile E. Coyote, pepé
Le Pew, and Marvin Martian.
3 While attending Wesleyan University, Miranda began developing the music and lyrics for his first musical, In the Heights. The production was based on a book by Quiara Alegria Hudes, also of Puerto Rican descent. Miranda's stage version debuted at the Eugene O'Neill Theater Center in Connecticut in 2005. It was moved to Off-Broadway status in 2007. The show opened on Broadway in 2008. The playwright's first Broadway show garnered four Tony Awards: Best Orchestrations, Best Choreography, Best Score, and Best Musical. Miranda himself played the leading role, singing and dancing his way to stardom as Usnavi, a bodega owner who serves as the play's narrator. The plot highlights the heartbreaks and hopes of the Latino community in the Washington Heights neighborhood of New York City, a story close to Miranda's heart.

Read the excerpt from "a modest proposal." the poorer tenants will have something valuable of their own, which by law may be made liable to a distress, and to pay their landlord's rent, their corn and cattle being already seized, and money a thing unknown. which statement effectively uses a quotation to show that swift claims that the poor will also benefit from his proposal? “swift writes that poorer tenants will have something valuable of their own, which by law may be made liable to a distress.” swift writes that poorer tenants will finally have something to pay their landlord’s rent since they have neither money nor trade. swift writes that poorer tenants will have something to trade for rent since “their corn and cattle” have already been seized. swift writes that “poorer tenants will have something valuable of their own” that can “ to pay their landlord’s rent.”

What are your educational and professional goals and how will this program you achieve your goals?

Read the excerpt from act 2 of a doll's house. nora: [quickly] he mustn't get the letter. tear it up. i will find some means of getting money. krogstad: excuse me, mrs. helmer, but i think i told you just now— nora: i am not speaking of what i owe you. tell me what sum you are asking my husband for, and i will get the money. krogstad: i am not asking your husband for a penny. nora: what do you want, then? krogstad: i will tell you. i want to rehabilitate myself, mrs. helmer; i want to get on; and in that your husband must me. for the last year and a half i have not had a hand in anything dishonourable, amid all that time i have been struggling in most restricted circumstances. i was content to work my way up step by step. now i am turned out, and i am not going to be satisfied with merely being taken into favour again. i want to get on, i tell you. i want to get into the bank again, in a higher position. your husband must make a place for me— nora: that he will never do! krogstad: he will; i know him; he dare not protest. and as soon as i am in there again with him, then you will see! within a year i shall be the manager's right hand. it will be nils krogstad and not torvald helmer who manages the bank. nora: that's a thing you will never see! krogstad: do you mean that you will—? nora: i have courage enough for it now. krogstad: oh, you can't frighten me. a fine, spoilt lady like you— nora: you will see, you will see. krogstad: under the ice, perhaps? down into the cold, coal-black water? and then, in the spring, to float up to the surface, all horrible and unrecognisable, with your hair fallen out— nora: you can't frighten me. krogstad: nor you me. people don't do such things, mrs. helmer. besides, what use would it be? i should have him completely in my power all the same. nora: afterwards? when i am no longer— krogstad: have you forgotten that it is i who have the keeping of your reputation? [nora stands speechlessly looking at him.] well, now, i have warned you. do not do anything foolish. when helmer has had my letter, i shall expect a message from him. and be sure you remember that it is your husband himself who has forced me into such ways as this again. i will never forgive him for that. goodbye, mrs. helmer. [exit through the hall.] what conflict does krogstad introduce? krogstad tells nora that he has written a letter telling helmer about her affair with the doctor. krogstad refuses to forgive helmer unless nora finds a way to come up with more money. krogstad tries to blackmail nora into getting helmer to keep him at the bank by exposing her forgery. krogstad plans to take helmer’s job managing the bank and ruin nora’s reputation while doing so.