What are some things the characters in house taken over realize they left on the other side of the house

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.

Which statement is not true about prewriting? prewriting you gather the details you'll include. prewriting you correct all of the errors you'll make. prewriting you consider the topic you'll address. prewriting you identify the main idea you'll convey.

In “the bat poet”, why does the bat go to sleep with the other bats are the end of the story? a.he is suffering from winter’s block and takes comfort in being among his own kind. b.he is frightened of attack from owl, so he cannot sleep on the porch. c.he is now comfortable with himself: a bat a poet. b.the porch is torn down,so he has no other choice but to sleep in the barn.