Ehrenreich acknowledges that because she can return to her comfortable, middle-class standard of living whenever she wants to, her experiment doesn’t really allow her to genuinely experience or feel the desperation and negative long-term effects of surviving on a low-wage income. Nevertheless, do you think her experience enabled her and her readers to acquire a better understanding of the difficulties of surviving on low-wage pay, or was Ehrenreich essentially an outsider who could never truly comprehend the plight of the working poor? Support your opinion with examples and reasons.

the answer that is correct is the last option.

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

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next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?