Contrast a plant cell with a animal cell.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Astaff meeting is called at a large company. the main speaker at the meeting is an outside consultant who will be speaking about safety in the workplace. what kind of audience will the staff most likely be?

What is the central idea of the "allegory of the cave"? a. most men live chained to the wall of a cave all of their lives, facing a blank wall, and trying to guess the nature of objects reflected by a fire. b. a philosopher is like a prisoner freed from the cave that comes to understand that the shadows are not reality, rather he understands reality by his experience. c. men who allow their experience to be shaped by perceptions and shadows do not know a better life. d. a philosopher must return to share the news of enlightenment with others who will not necessarily accept his good news. part