Read the passage. Then, answer the question. In this excerpt, the author describes how art is added to
monumental pieces of architecture, such as a cathedral,
over centuries
The new art takes the monument where it finds it,
incrusts itself there, assimilates it to itself, develops it
according to its fancy, and finishes it if it can.
-The Hunchback of Notre Dame,
Victor Hugo
Which term best defines the underlined word?
O state of being incorporated
O quality of being incorporated
a capable of being incorporated
cause to be incorporated

In the section the deciding pitch what is the narrators point of view on how th pitcher feels about the upcoming event

In saying that 11: 30 am was in the small hours of the morning, bertie is using

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep