Look at the frame from Iqbal. Iqbal thinks constantly about how hard his life is, but he can't think of a way to be free. All the boys in the factory are debt slaves. None of them have a peshgi, which is what the debt is called, less than when they started to work for Ghullah. After five years in the carpet factory it would become even worse for Iqbal.

Which excerpt from the prologue of Free the Children reflects what is happening in this frame?

With the help of a human-rights organization, Iqbal was able to escape and go to school. Iqbal completed two grade levels that first year.
In exchange, Iqbal, said to be only four years old at the time, was forced to join several other child weavers squatting before looms in the owner's factory.
The man had not only the right to Iqbal's labour, but also, if he wished, the right to sell him to any other factory owner.
He learned quickly not to bring on the wrath of the factory owner. If he made mistakes, fines were added to the sum owed by his parents.

ankara s dndkslqnebd

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

the answer is 4

thats really weird lol