“Finally,” I said to myself. I was alone in the house and queen of 163 Willowbend Lane. The microwave clock read 9:00 p. m. “Perfect! Movie time.” I dashed to the kitchen table where the Movie-Town bag lay on its side. I turned off the lights, popped in Hangman Twelve, and sat down on the couch in the television room. Last week I had watched The Ghost of Sycamore Manor. Wrapping myself in a soft red wool blanket, I hunkered down into the soft brown leather couch. My breath started to quicken as the movie started, dark images flickering across the screen. They seemed almost to dance in an exaggerated way on the walls of the darkened room.

WHAT IS THE MOST CRITICAL PROBLEM WITH THE STORIES BEGINNING?

1. It has a sentence that doesn’t belong.

2. It contains too many sentences of the same length.

3. It lacks descriptive details.

4. It does not have dialogue.
will give brainliest for the CORRECT answer.

Hi brothers and sisters may you tell me the answer of question ?

In at least two hundred words, discuss why "désirée's baby" is or is not relevant today.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.