What is the meter of this line from “Ode to the West Wind” by Percy Bysshe Shelley? The wing | èd seeds | where they | lie cold | and low,

A.
trochaic pentameter (The foot has a stressed syllable followed by an unstressed syllable. This pattern repeats five times in the line.)
B.
trochaic tetrameter (The foot has a stressed syllable followed by an unstressed syllable. This pattern repeats four times in the line.)
C.
iambic tetrameter (The foot has an unstressed syllable followed by a stressed syllable. This pattern repeats four times in the line.)
D.
iambic pentameter (The foot has an unstressed syllable followed by a stressed syllable. This pattern repeats five times in the line.)

the answer is b. an opposing veiwpoint

explanation:

trust me 100%

for the comment!

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

this answer to this question is c. allegory

why?

stories with allegories have a hidden symbolic meaning with a theme. the hidden meaning can be political, or other real life problems.