This man is poor honest

It is much safer to be feared than loved. . among the wonderful deeds of hannibal this one is enumerated: that having led an enormous army, composed of many various races of men, to fight in foreign lands, no dissensions arose either among them or against the prince, whether in his bad or in his good fortune. this arose from nothing else than his inhuman cruelty . . but without that cruelty, his other virtues were not sufficient to produce this effect. . that it is true his other virtues would not have been sufficient for him may be proved by the case of scipio, that most excellent man . . his army rebelled in spain; this arose from nothing but his too great forbearance, which gave his soldiers more license than is consistent with military discipline. –the prince, niccolò machiavelli machiavelli claims that “it is much safer to be feared than loved.” which type of evidence does machiavelli use to support his claim? answer : logical how does the author’s use of this evidence create meaning for the reader? answer : by using a historical event to prove the claim

Which phrase best defines “figurative language”? writing that is meant to be imaginative and vivid rather than literal words that create mental pictures of something seen, heard, tasted, smelled, or touched poems that include many different types of rhymes and rhythms sentences that are long and reference historical and literary figures

Marianne moore’s “poetry” is written in defense of poetry. in the excerpts, which three lines or phrases reflect moore’s opinion of what good poetry should be? . . to discriminate against "business documents and school-books"; all these phenomena are important. one must make a distinction however: when dragged into prominence by half poets, the result is not poetry, nor till the poets among us can be "literalists of the imagination" —above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them," shall we have it. in the meantime, if you demand on the one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, you are interested in poetry.