Malena and Dolly are co-workers in different departments in a large company. Over coffee one day, Malena tells Dolly that she's been feeling vey uneasy lately about her
boss's behavior. "I'm not exactly sure how to describe it," Malena says, "but I think he's
coming on to me, and I don't know what to do."
1. Malena would do well to be able to describe her boss's behavior. Imagine a
situation like this and describe the possible behavior of Malena's boss.
2. Which of the behavior's listed in question 1 might be intentional and which might
be unintentional? Why?
3. Describe possible intentional or unintentional nonverbal behaviors of Malena that
might be misunderstood
4. Using ideas from this and the previous chapters in the text, what could Malena do
verbally and nonverbally to handle this issue?

scholarship is an sc because, by definition, a subject complement is the adjective, noun or pronoun that follows a linking verb, for example the verb be (in any of its forms).

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

no, i never do because that’s not the reason for what i speak to or of.

her eyes water as she let her go

her mothers hand goes limp

face white and pale

lips blue and stale

she is gone

sadness fills her body

she collapses to her knees

as her mothers disease leaves the girl alone